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Brush Sculpting Differs Much
From Wholesale Brush Control
By Dale Rollins
Extension Wildlife Specialist
Webster defines a landscape architect as "one
whose profession is to arrange and modify the effects of
natural scenery over tracts of land so as to produce the
best aesthetic effect with regard to the use to which the
tract is to be put." Such a definition is not
restricted to the golf course or the front yard of a
suburban home. The same principles practiced by a
landscape architect natural beauty and aesthetics
are just as important when contemplating brush
control on the back 40.
In 1982 I was involved in a brush clearing study in
Kerr County to determine how much brush could be removed
from a site before affecting deer populations. We used
double-chaining and burning to create a series of 20-acre
clearings until 30, 50, 70 and 80 percent of a particular
area had been cleared. One day the local SCS man brought
out a neighboring (absentee) landowner to tour the study
sites. As we entered one of the pastures that had been
cleared at 50 percent intensity, we stepped out of the
pickup truck to gaze upon contrasts between cedars and
cleared areas. The visitor, a realtor from Houston,
looked at the situation and remarked "my God,
youve raped the land." I was crushed! But his
remark left an indelible mark in my mind, and it should
at least perk your ears.
Whether one is clearing brush on land he hopes to
possess from now on, or on land that may be sold next
month, he should carefully consider the short and
longterm impacts on the parcels appearance,
productivity, and natural beauty. The planned, selective
removal of brush can be one of the best things that ever
happened to wildlife habitat; the unplanned, broadcast
control of brush is perhaps the worst.
Applied landscaping can be practiced at different
levels, including the (a) landscape level; (b) individual
clearing level; (c) plant community level; (d) plant
species level; and (e) individual plant level.
Applied landscaping is a mixture of art and science;
i.e., view these guidelines as starting points. The end
product (i.e., resulting landscape) is limited only by
the creativity of the sculptor, and perhaps by his
pocketbook.
Landscape level
To fully grasp the view of your ranch at the landscape
level, one must either get up on a hilltop, up in an
airplane (or helicopter), or have an aerial photograph in
hand. One must have an appreciation for the spatial
arrangement of various brush densities, watercourses, lay
of the land (i.e., topography) and the neighbors
adjoining lands. An aerial photograph obtained from your
local Natural Resources Conservation Service is an
invaluable planning aid.
At the landscape level, one should be cognizant of
special sites that should be either enhanced or at least
preserved, i.e., "honeyholes." Some areas of
the property are inherently more attractive to deer,
bobwhites, or whatever your target species of wildlife
than other areas. Honeyholes may be characterized by
particular species of brush (e.g., sand plum), brush
stands of certain age/size, brush species diversity,
topography, remoteness or other factors.
In order to manage at the honeyhole-level, I recommend
that you close your eyes and visualize where you would go
at noon to jump that trophy buck or flush a covey of
quail. What species of brush are involved? Is it in a
draw? A header of a canyon? When the image of the
honeyhole is vivid, consider the task at hand: to clone
(i.e., "cut and paste") such honeyholes across
the landscape. Try to identify what feature(s) are
integral components of honeyholes for the particular
species of wildlife for which you are managing, then
tailor your sculpting plans to clone such features.
Topography is an important factor at the landscape
level. Depending on the landowners objectives, the
vista desired may look like an open savanna or a mosaic
of open areas with denser brush interspersed therein.
Deer often use topography as a sort of "cover."
A deer that can move over the ridge is screened just as
effectively as one that moves into a dense cedar brake.
Clearing too much brush from bottomland areas may reduce
their attractiveness to deer. Brush should normally not
be cleared within 25 yards (or so) of the stream course.
Similarly, brush should be preserved along feeder draws
that service streams and "saddles" between
headers, as these areas provide important travel lanes.
Individual clearing level
Animals have various "security thresholds",
i.e., a sense of security that comes with proximity to
escape cover. If clearings become too large and the
security threshold is exceeded, then the center portion
of that clearing becomes "lost habitat." As a
rule, more and smaller clearings are preferred over fewer
but larger clearings. Maximum clearing width for deer is
generally recommended to be 400 yards; 200 yard widths
are preferred. Quail typically do not forage more than 50
yards from woody cover, so maximum clearing width
shouldnt exceed twice that.
Clearings can be landscaped in several ways. First,
the edges shouldnt be straight lines. Straight
lines arent "natural" and result in stark
visual contrasts between brush and cleared areas.
Contoured, or "feathered" edges, are more
aesthetically pleasing, as they look more natural. Long,
straight clearings should be interrupted by doglegs of
brush or "ziz-zag" clearings to where a deer
cannot see more than 200 yards. Another option is to
leave mottes of trees intact on larger clearings. Often,
liveoak mottes are spared during mechanical clearing
operations. For quail, leave a "stringer" of
brush extending into larger clearings, but avoid isolated
coverts, as these may become "ecological traps"
that make the isolated quail more vulnerable to avian
predators.
In mechanical clearing operations, there is always the
slash that is either left in place, stacked with a rake,
or windrowed (as in chaining). Typically, such brushpiles
are burned. Some managers like to leave brush piles on
clearings, but my preference is to burn them. Larger
brushpiles typically harbor more skunks and snakes than
they serve as cover for quail. Id much rather leave
selected mottes of quail cover than try to use brush
piles as a substitute for planning.
One very good use that Ive found brushpiles for
is calling for coyotes. Coyotes recognize brushpiles as
good mousing habitat, and using a brushpile for a calling
stand can be very productive. If brushpiles in areas with
shinoak are to be burned, try to stack the piles on top
of shinoak areas. Such brush piles burn very hot and may
sterilize the soil, but Ive never seen them get so
hot as to kill shinoak. And, the shinoak resprouts are
very palatable to deer and exotic ungulates (e.g.,
aoudads).
Plant community level
Most species of wildlife express an affinity for
certain vegetation types (plant communities). For deer
this may include a wide range of situations, whereas
black-capped vireos are more niche specialists. As such,
my two main axioms for range managers, (a) know your
plants and (b) know how to manipulate them, are the order
of the day. Know which species of plants are important
for your target wildlife species, then know what
management tools (i.e., the "axe, plow, cow, and
fire") foster those plants. Remember to think beyond
just food value before such judgemens are made.
Wildlife density and diversity typically correlate
with plant diversity (woody and herbaceous). Even within
a species (e.g., deer), individual animals tend to select
those areas within the habitat that are more diverse. The
Brush Sculptors goal should be to at least maintain
species diversity, and hopefully increase it. This
requires certain assumptions, namely that the manager (a)
can recognize and identify the various woody species that
are found on the site, and (b) that he understands the
relative values that the species provides for various
species of wildlife. Field guides, other publications
color posters, and electronic sources (e.g., TEXNAT
[http://texnat.tamu.edu] are available to facilitate
identification.
A central thesis for sculpting brush is the ability to
remove brush selectively. Generally, mechanical means
afford the greatest selectivity during brush clearing
operations. Tree-dozing or chaining afford excellent
selectivity, if the operator(s) take advantage of that
ability. Herbicides can also be used to provide selective
control, but generally not to the degree of fine-tuning
available with mechanical means. However, with the
inception of individual plant treatments (e.g., Brush
Busters), the herbicide applicator can be highly
selective. For broadcast applications, the use of
pelleted herbicides (e.g., tebuthiuron) in backpack
"blowers" offer more precise applications. To a
lesser degree, the selection of broadcast foliar sprays
may provide some control over what brush species are
killed.
At the community level, desirable trees should be
spared during clearing efforts. For the more desirable
species, I recommend that all individuals of that species
be spared; for others some should be spared, but not
necessarily all of them. In the Rolling Plains, species
such as netleaf hackberry, chittam and skunkbush should
receive complete protection. Other species such as
lotebush and sandplum should be spared in moderation, and
in those areas where they are components of honeyholes.
In the Trans-Pecos region, acacias and allthorn are
examples of plants that should be spared in moderation.
Species level
Mesquite is perhaps the most despised plant in Texas,
yet mesquite is an important habitat component for quail,
deer and several other nongame birds. In the Edwards
Plateau, Ashe juniper is often the target of intensive
control, but junipers can be an important source of
winter forage and escape cover for wildlife. Similarly,
pricklypear is often dismissed as without value, yet
recent studies suggest it may be an important habitat for
nesting quail.
Within most species of woody plants, some individual
plants are more preferred than others, be it for forage
or cover. When these "preferred" trees can be
identified, they should be spared during control efforts.
In Ashe juniper, one can look under and near the dripline
of the tree (usually older, female trees) for fecal
pellet groups in February and March to indicate the use
by deer. Some mesquite trees assume a growth form that
makes them desirable loafing coverts for quail, while
others are rarely used. Knowledge of a particular site
attained through hunting over a period of years helps to
identify which microhabitats are important. When such
trees are identified, realize that their importance may
be associated with the complex of species or growth
types, so sculpt such areas deliberately. The
carpenters advice of "measure twice and saw
once" is good advice for sculpting brush. Its
easier to have to come back and take out more brush at a
later date than it is to rebuild a honeyhole.
Sculpting for hunting ease
Brush clearing is a bit like a prescribed fire; one
can accomplish multiple objectives simultaneously. To
that end, multiple factors should be considered when
planning brush treatments. In recent years, more managers
have used their brush clearing patterns to facilitate the
observation of game for hunting or photography. The
American Indians used fire to manipulate the movements of
bison, either directly or indirectly (i.e., attracting
them to better grazing) for hundreds of years. I think
this is one of the best uses for sculpting brush, and
hope that some day the landscaping of the area replaces
the prominence of the corn feeder in deer hunting
circles.
Clearings facilitate the observation of game by (a)
increasing visibility across an area, and (b) attracting
the animals because of improved foraging conditions on
the clearing itself. In order to optimize these two
factors, the clearings should be constructed to maximize
the sense of security that the animals have while in a
clearing. Senderos (linear clearings associated with
pasture roads, fences or pipelines) are preferred hunting
areas in brushy south Texas. Senderos can also be
installed strictly for hunting purposes. One arrangement
is to cut two senderos in an "X" fashion,
leaving the brush at the intersection for placement of a
tripod hunting blind. The length of the "legs"
of the X should not exceed 250 yards, as this is the
maximum distance that most hunters could be expected to
shoot a deer accurately.
Logistical considerations
The only ingredients necessary to successfully sculpt
brush are (a) having a goal in mind, (b) committing
ones self to making it successful, (c) an aerial
photograph, and (d) some flagging tape. A computer with a
"paint" program is a handy item for visualizing
various treatment arrangements, but a grease pencil will
suffice to mark the location of clearings on the
photograph.
To use a computer, youll need to take the aerial
photograph and "digitize" it (i.e., have it
scanned as a "bitmap" (.bmp) or
"paint" file (.pcx). Use a software program
like PowerPoint or other imaging capabilities to retrieve
the file and learn how to use the software to
"paint" the image with the clearings you
desire. Using this setup will allow you to visualize
variously sized clearings, honeyholes, and the spatial
arrangements among clearings and the topography of the
site.
Once the aerial photograph is marked for clearing, the
task is to communicate successfully your clearing desires
to the contractor (e.g., dozer operator). Dont
assume that your verbal instructions will be taken
verbatim! Ive seen several wrecks caused by a lack
of communication between the planner and the contractor.
Most bulldozer operators will not appreciate the
complexity of your designs, so be prepared to spend some
time with them in the field to make sure they have a good
understanding of your clearing plans. Clearings should be
clearly marked with flagging tape, and any special
instructions personally supervised. Trees that should be
spared within a clearing should also be marked
conspicuously with flagging tape.
As wildlife become more important in land use
planning, more efforts will be made to clearly define and
optimize the use of brush management as a habitat
management tool.
The second of two West Texas Brush Sculptors seminars
is set for Abilene Sept. 17-18. Nine "cobtinuing
education credits" are available for those
completing the workshop. Further information is available
from local county Extension offices. Copies of the
proceedings are available for $15, payable to TAEX Brush
Sculptors, 7887 U.S. Hwy. 87 N., San Angelo, TX 76901.
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